Back To Work

The Portugal holiday is over, and Hayley Marie Coppin is heading back to the office — and she's doing it in impeccable style. She steps out into a cool, overcast English morning on a cobbled mews street, white short-sleeved shirt buttoned just enough, tight black pencil skirt hugging every curve, hot pink stiletto heels clicking on the wet stone. A polka-dot umbrella goes up against the grey sky, a black leather briefcase swings from one hand, and her blonde hair is swept up neatly off her neck. She looks flawlessly, almost aggressively put-together — the most dangerous thing to walk into any office in October.

Once inside, the transformation begins — in reverse. Hayley settles into her office, all warm wood and arched windows and the faint hum of a working day, and then sets about making it considerably more interesting. She perches on the glass desk, crosses those long legs, takes a call with her feet kicked up and her skirt riding higher and higher. The shirt comes untucked, then undone, then off — and finally Hayley stands and reaches for the zip of the black pencil skirt, easing it slowly down over her hips with the calm authority of a woman who has decided the working day is over. Back to work has never looked quite so good — or ended quite so well.

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