Reflection

Hayley Marie Coppin knows exactly what she looks like, and she wants you to know it too. This set opens in a light-flooded studio room with large sash windows and a grand gold-framed mirror propped against the white wall, clothes and accessories scattered casually around as if she has been getting ready for hours and enjoying every minute of it. She begins in a hot pink vest top and pale blue skinny jeans, gold sandals on her feet, long blonde hair loose around her shoulders as she poses and preens, catching her own eye in the mirror and liking every angle. There is something irresistibly intimate about watching a woman who watches herself, turning slowly, checking the view, knowing that the mirror shows her everything you can see.

One by one the layers come away: the jeans slide down her long legs, the sandals come off, and finally the pink top is lifted away to leave Hayley completely bare on the pale studio floor. She stretches out in front of that gold mirror, her reflection doubled behind her as she rests her cheek in her hand and looks directly at you. Getting ready in front of a mirror has many advantages, she says, and the biggest one is knowing that what she sees is exactly what you get.

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