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Wonderfully White

21 February 2018

Adele Taylor leans against the trunk of an old tree in a tiny white spaghetti-strap dress that barely covers the tops of her thighs, her impossibly long legs stretching down to a pair of clear heels that glint in the dappled sunlight. The garden is quiet and secluded: a dry-stone wall runs behind her, green grass spreads out on either side, and the canopy above throws shifting patterns of light and shadow across her tanned skin. Adele's dark brown hair falls in loose waves across her bare shoulders, her brown eyes are soft and warm, and the white dress is so short and so thin that every subtle shift of her hips makes it ride up another inch, teasing the line between dressed and not dressed in a way that makes your pulse quicken. She knows you are looking. She is counting on it.

The white fabric peels downward, Adele's fingers hooking the neckline and drawing it slowly over the swell of her breasts until they spill free, round and firm and perfectly sun-kissed, the dress bunching at her narrow waist. She stands barefoot on the grass now, the clear heels kicked aside, and the warm afternoon light plays across the flat plane of her stomach and the gentle curve of her hips as the dress slides lower. In the final frame, Adele bends toward the camera completely nude, her small, pert breasts hanging naturally, her hair falling like a curtain beside her face, a gold bracelet the only thing left on her body. The garden is impossibly green behind her, and her gaze is the kind that draws you in and holds you there. Wonderfully White is the kind of set that makes you want to find this garden, find this tree, and spend the rest of the afternoon right here.

Heels Nude Dress Brunette Garden Stone Wall Long Legs Natural Breasts Dappled Sunlight

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